Editions

Print and writing, two paths, one standard.

What we make here ends up in print, or will. Four illustrated calendars a year, a novel and a non-fiction title in preparation, and a steady stream of essays. Two worlds, one standard of care.

An open book with a lavender ribbon bookmark on the left, an illustrated print of an animal in a Renaissance ruff collar on the right, pencil and paper offcut between the two worlds, warm light from a brass desk lamp.
Open illustrated calendar on a bookbinder's table, warm natural light.
Print · since 2023

Fridas Fussel

An illustrated picture series featuring animals in human poses. Four calendars a year: cats through the decades, fashion as colour palette, a walk through the eras, and animals in their finest.

Visit Fridas Fussel →
Open facsimile spread of the Bonhomme 1555 first edition next to an iPhone showing the Prophetie app.
Two volumes & app · Self-published autumn 2026

Nostradamus

A life in two volumes. Volume I is a novel in the first person. Volume II is a non-fiction title with a workshop apparatus. Alongside both runs the iOS app Prophetie, which carries the full Centurien corpus and brings further prophetic traditions with it.

To the work →
Open notebook with handwritten pencil notes in the margin, lavender ribbon, warm daylight.
Notebook · ongoing

Essays from the workshop

6 essays on the practical work of building in regulated spaces: privacy by design, EU hosting, MDR, BFSG, AI Act. Sources rather than positions, no polemic either way.

To the notebook →
Shared stance

Editions are decisions about what should outlast the years.

A calendar and a book are both editions. Both are printed, both are read through to the last correction in the studio. What separates them is form, not standard. What appears here does not begin with a manuscript or with a layout; it begins with sources and research that grow with the work.