Nostradamus. Was wirklich in den Centurien steht.
944 quatrains read against the facsimiles of the Lyon first editions of 1555, 1557 and 1568. Five popular readings refuted, four detail hits confirmed. Novel, non-fiction and iOS app.
Two kinds of writing live in this corner of the studio: longer manuscripts in preparation, and a smaller stream of essays on the practical work of building digital products in regulated spaces.
A work in two volumes is currently in editorial work. Volume I is a novel in the first person. Volume II is a non-fiction title with a workshop apparatus at each chapter end. It sits at the edges of a public debate, on material that is widely quoted and rarely carefully read.
The approach: source extensively, paraphrase honestly, let readers form their own view. Self-published.
944 quatrains read against the facsimiles of the Lyon first editions of 1555, 1557 and 1568. Five popular readings refuted, four detail hits confirmed. Novel, non-fiction and iOS app.
The studio's approach to writing is procedural before it is stylistic. Each manuscript starts with a structured reading of primary and secondary sources, organised into a working bibliography that grows alongside the text. Quotes are minimised. Paraphrases are checked. Footnotes outnumber adjectives.
The choice of publishing under a pseudonym is deliberate: it lets the work be read for what it says, not for who is saying it. The studio takes legal responsibility for the writing in the usual way; the imprint is transparent in the formal sections of every book.
„Taking a subject seriously means giving it time. Books take long because they should."
Six pages on the writing method, leafable like a book. Real manuscript excerpts will follow with release.
A book is not content. A book is a decision about what should outlast the years. What appears here does not begin with a manuscript. It begins with sources that grow.
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Each manuscript starts with a structured reading of primary and secondary sources, organised into a working bibliography that grows with the text.
The approach is procedural before it is stylistic.